Gregory plays the boss of a disgruntled employee in this office short film. Joan Jubett, the employee in question, is stuck in a classic work/life dilemma . . .
In this completely improvised comedy series, Gregory plays the most clueless yet confident member of a group of piggish male executives called the Corporate Knobs. Here he and Brian Hotaling give an unusual deposition to fend off a sexual harassment suit against their company. Lori Hamilton
Gregory stars in this award-winning short film. In this excerpt, he explains the concept of suspense by holding a loaded gun to his head. (watch entire film)
Gregory as the mastermind behind a crime gone horribly wrong, with hilarious consequences. In this episode, the Crooks try to rob their former employer. Recommended to watch in FULL SCREEN MODE.
In this completely improvised comedy series, Gregory plays the most clueless yet confident member of a group of piggish male executives called the Corporate Knobs. Here he and the other Knobs gather at a bar to trash a "Gender in the Office" seminar they just attended. Also, he cozies up to his boss, Rob Gorden, about the com
In the formative years of his career, Gregory tackled roles like Tofu Man and Bigfoot, physical and comic turns that developed his on-camera skills. These are the early film and TV parts that turned him into the acting powerhouse you see today. Footage includes: goofing around in black and white, dodging a car in color, jumping off a table, wielding a gun, hitting his head on a ceiling, and murdering a skier for his handheld. Good times.
Gregory plays the tallest member of a group of guy's guys who are trying to help their buddy find love, or at least sex. In this scene, Gregory and his friends help explain the finer points of fornication to our hapless pal, Christopher Trunell.
Gregory plays the tallest member of a group of guy's guys who are trying to help their buddy find love, or at least sex. In this scene, he returns from a blood-spattered date gone wrong and, unfazed by the carnage, has a beer. Written and directed by Matt Gavin, this scene includes Guy Wegener and Christopher Trune
